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True Songs

by Prairie Clamor

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  • Compact Disc (CD) + Digital Album

    Welcome to the limited, nay, hyper-limited CD edition of True Songs. Includes handwritten track list by Will. We ain't makin' any more of these puppies. Get it while you can, these things are gonna be going for like 90 bucks on Discogs in fifteen years. Made of a more eco-friendly recyclable outer jacket.

    Includes unlimited streaming of True Songs via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Full Digital Discography

    Get all 9 Prairie Clamor releases available on Bandcamp.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of True Songs, Spilling Light, Next 7 Exits, William Bjorndal Meets Prairie Clamor Eastside, Earth, Pressure, Balance, 125,000 Memes in Under 35 Minutes OST, Prelude to Peaceful, The Mischief EP, and 1 more. , and , .

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1.
Energy Park 04:00
got on my bike one day crunched leaves and cranked away I rode away I rode away into the ultraviolet light not a single cottonwood cloud in sight all I wanted was to make my life right but I took three lefts and now I’m trapped in energy park and I’m feeling so alone in energy park lost in energy park and I left my tarp at home no end and no start hey hey is this all a waste? is this just like a chromebook in a ditch, is this just a where’s that proper place? for your waste in olmsted county cuz we’re trying to find that clandestine place but mandatory anomie won’t help our pace I was doing all I could to just keep face and I’m giving up and now lost in energy park and i’m feeling so alone in energy park borne of ore and a spark yeah it’s bound to die in stone no end and no start trapped in energy park and i’m feeling so alone in energy park OSB and a spark it’s bound to die in flame no end and no start got on my bike one day crunched leaves and cranked away I rode away
2.
won’t wait any more today like a mourning cloak’s winter stay we're waking on waking on waking on waking on waking on a cool spring day but in a cloud of dust drawn by blade that new days start to fade yeah we’re waking on waiting on waiting on waking on Lake big k layaway but oh when you feel that way there’s only one thing I can think to say, yeah it’s if you feel that way it’s for a reason so feel away, yeah just feel away the taste of the air today it’s like an airport food court tray yeah we're waking on waking on waking on waking on a peak most everything day cuz peace won’t always stay like the thought of the smell of hay just dig around dig around dig around dig around dig around in your brain cuz what spills light must always endure burning and how much wick do we have left? or just yearning but oh when you feel that way there’s only one thing I can think to say, yeah it’s if you feel that way, it’s for a reason so feel away, yeah just feel away but oh where will the gulls all go a parking lot is paradise to some, though it might not seem that way, but there’s a reason they take stone over foam so when you feel that way a pigeon ouroboros forms a wave to say hey that if you feel that way, it’s for a reason so feel away, yeah just feel away
3.
that creekbed calls you when you’re on your own if I slept on the river would you float me home masking tape and poems lying used up in our rooms I was blinded by the lack of light and you let me know so call the water whatever you want to cuz every creek’s a river when it bisects me and you call the water the name that comes to you make a drainage ditch an ocean or the sea a drop of dew in an instant, a moment’s ancient, etched away on a jersey bed sheet or a paper towel, yesterday cold feet on colder tile, an icy bed I pull open the window, I lay my head call the water whatever you want to cuz every creek’s a river that bisects me and you call the water the name that comes to you make a drainage ditch an ocean or the sea a drop of dew that flood of silence when you’re on your own we’ll ford the river and see the daydream through
4.
beautiful blue skies beautiful blue skies and golden sunshine are hanging in my mind like a swinging bridge of time all drenched in starlings but way out, past the final street of our town, a grid of humid heat a bent spoke and a lower bar for bliss a lost song rings into the mist above that freeway in a crypt of cryptochrome they’ll call it a mistake but I ain’t going home if there’s still hope for me it lies in some buffer zone beautiful blue skies beautiful blue skies and golden sunshine on America online like a tunnel made of vines all drenched in contrails so I ask myself every day I ask myself every day how do you know? how do you know? yeah I ask myself every day yeah I ask myself every day how do you know? how do you know? that some song could ever stop the crush of this town, a grid of lime and dust but we know, we know it’s worth the risk of this tale, one autotomous above that freeway in a crypt of cryptochrome they’ll call it a mistake but I ain’t going home if there’s still hope we’ll see when we lie in that buffer zone but I ask myself every day yeah I ask myself every day how do you know? how do you know? yeah I ask myself every day yeah I ask myself every day how do you know? how could you know? so have a great rest of your day in this town, a grid of slush and clay when you speak, the words they'll fly away but when sung, they'll all forever stay above that freeway in a crypt of cryptochrome they’ll call it a mistake but we ain’t going home if there’s still hope we’ll see when we lie in that buffer zone
5.
Etherealreal 04:20
these ragged nights and these threadbare days I’m not about it, not about it so step outside and wander the maze that’s all around us, all around us jogging highway 55 you remember that you’re alive and that it ain’t so mystical here but it’s quite an ethereal real cuz on those humid nights casting street lamp shade and all around us, all around us were they fireflies or flashing barricades not so sure about it, sure about it in the railyard’s chartreuse light you’re reminded of your own life and that it ain’t so mystical here but it’s quite an ethereal real hey of this I know it’s true, of this I know it’s true of this I know it’s, this I know it’s of this I know it’s true, of this I know it’s true of this I know it’s, this I know it’s, this I know it’s of this I know it’s true, of this I know it’s true of this I know it’s, this I know it’s of this I know it’s true, of this I know it’s true of this I know it’s, this I know it’s, this I know it’s And when dawn starts to untwist you’ll remember that you exist and that it ain’t so mystical here but it’s quite an ethereal real
6.
blood and diamonds, yeah they flow in your soul they flow in the night like the light down the hall floating down the street, stars above, stars below traffic cones are blinking, stars above, blood below blood and diamonds, they beat in your heart you’re both ancient matter and a whole brand new start we’re now and we’re then and we’re everything all we’re blood and diamonds and we’re flowing cuz I’d never lie to you I just want to tell you the truth that all the ages led up to now everything led to you somehow all the ages led up to now like blood and diamonds blood and diamonds blood and diamonds blood and diamonds blood and diamonds, yeah they’re one within you so ford midnight waters and then start anew they can cut a nine foot channel of concrete and steel but these blood and diamonds, they’ll, they’ll always heal all the ages let up to now everything led to you somehow all the ages led up to now everything led to you somehow all the roadway waste melts away with haste all the roadway waste melts away with haste all the ages let up to now everything led to you somehow all the ages let up to now like blood and diamonds blood and diamonds blood and diamonds blood and diamonds
7.
under my own spell again but I’ll learn to fly, I’ll learn to fly in ten at the edge of town, we’ll meet at at dusk door through a door, into the clouds we’ll thrust come with me we need not go far away trust and see through exhaust and arid days forget UV and throw away the shades bright it may be, but by now we all know, we know by now that the truth, it’s what you’ve heard things won’t be alright by now we all know truth hurts so sing, sing like a bird, and just sing all night don’t even think about the words breaking a sweat, but the wind’s so cold it’ll take us all if we wanna break the mold just like gravity sculpts a sphere oh gale and sky will shave away our fears at midnight on the floodplain there are no lies that the truth, it’s what you’ve heard things won’t be alright by now we all know truth hurts so sing, sing like a bird, and just sing all night don’t even think about the words cuz you’re the one I, one I, love you’re the one I, one I, love whoa come with me and we’ll go so far away atop a shuttered school or an overflowing bay gardens draped with sheets, yeah we’ll ghost our homes today indifference, hate, dismay, yeah they’re not all here to stay to scream away, and sing a song for a brand new day cuz the truth, it’s what you’ve heard things won’t be alright by now we all know truth hurts so sing, sing like a bird, and just sing all night don’t even think about the words cuz you’re the one I, oh one I, love you’re the one I, oh the one I, love you’re the one I, oh the one I, love whoaohahoh
8.
Backyard 04:15
hearing again those footprints in the snow the harmonies melt my back in the yard I’m calling out your name you don’t turn your head, but Chet, I love you all the same and that’s why I cry oh I cry and cry and cry that’s why I cry down by the creek we dug holes just cuz we could the robins would sing, yeah now the holes they’re filled in and the birds, they all flew the places we loved now some strange unwelcome new and that’s why I cry oh I cry and cry and cry that’s why I cry oh I cry and cry and cry that’s why I cry oh I cry and cry and cry that’s why I cry oh I cry and cry and cry that’s why I cry oh I cry and cry and cry that’s why I cry so long to the good days so long to the good days so long to the good days so long to the good days that never were that never were that never were that never were that never were that never were that never were too far away that never were that never were that never were that never were that never were that never were that never were too far away too far away

about

CASSETTE RELEASE ON ROUND BALE RECORDINGS: roundbalerecordings.bandcamp.com

After myriad false starts due to detrimental universal matters, Prairie Clamor’s Will Bjorndal finally was able to create True Songs. For Will’s third album, he ventured first to Canada in fall of 2021, hauling his sixty pound pedal steel guitar on a sled three-quarters of a mile down a footpath in order to practice uninterrupted, hoping to regain his chops after a summer of musical isolation working as a bee researcher in rural western Minnesota. From there, Michigan, where he met up with his brother at a small Scandinavian-inspired, graduate-only visual art and design school where he was given a room in a basement and one month of time to record. Unfortunately, the studio flooded on the very first day of scheduled tracking.

After a week of lost time ripping up carpet pad, assessing instrument conditions (everything was, somehow, okay), spraying the walls with bleach, frantically thanking graduate students who helped him during the flood, and hunting down vintage equipment formerly lost to the depths of the school, Will was able to get back to work and create the album that had been stuck in his head for over a year: True Songs.

The goal of True Songs was to be both universal and specific: music that anyone can hum along to and emotionally connect with, while at the same time, tell specific stories in and about specific geographic areas. These often hyper-local narratives construct analogies that, in turn, relate to more universal, connectable concepts. For example, very few other than Will have gotten lost in an industrial park while riding their bike, but many have felt lost in the face of increasing industrialization, environmental destruction, and the depersonalization that comes along with capitalism’s tendency for empty commercialization.

The same idea was applied to the album’s sound: an album instantly familiar, yet still sonically interesting. Guitar, bass, and drum-driven tones were injected with the more unconventional sounds of autoharp, recorder, modular synth, pedal steel, and others, to help it on the way to its goal. Was it achieved? Sort of. It’s a difficult needle to thread, and of course, it’s impossible to create something universal but the attempt to reach out and connect with someone unfamiliar is one of great importance.

credits

released May 20, 2022

Recorded in autumn of 2021 at the Friendly Puppy Music Centre for Basic Research - Satellite Office 2.

Will Bjorndal - acoustic guitar, Audubon bird call, cymbals, drums, drum machines, electric bass guitar, electric guitar, fake choir, finger snaps, FM synthesizers, folding plastic table, handclaps, improved melodeon (n/a), LinnStrument, mandolin, maracas, modular synthesizer, organ, pieces of paper, pedal steel guitar, phase distortion synthesizers, piano, recorder, singing, stylophone, tambourine, wavetable synthesizers.

Peter Bjorndal - electric bass guitar, handclaps, “hey,” LinnStrument, modular synthesizer, wavetable synthesizers.

All music and lyrics by Will Bjorndal except "Backyard," with lyrics by Will and Peter Bjorndal.
Engineered, produced, and mixed by Will and Peter Bjorndal.
Mastered by the incomparable Neil Weir.
Album art layout by Peter Bjorndal.

Will wishes to thank:

☆FREAKIN’ HUGE thanks to Das Avant for saving us from The Great Cranbrook Flood of 2021!
☆MASSIVE thanks to KT Severson for furnishing the stylophone and loving and caring for the S10!
☆HUMONGOUS thanks to Lizz Caicedo for a.m. jogging and being cool about me ruining your birthday surprise! Perhaps I should also take this moment to apologize for the “dead bat incident!”
☆IMMENSE thank you to the Cranbrook 2D department for being so freakin’ welcoming!
☆IMMEASURABLE thanks to Sue Grove for access to the improved melodeon!
☆MAMMOTH thanks to Elliott Earls and Laura Bombach for supplying drums, some of which were robotic in their previous lives!
☆GARGANTUAN thanks to Peter Bjorndal for facilitating the first incarnation of the Friendly Puppy Music Centre for Basic Research!
☆ULTRA BIG thanks to Neil Weir for sharing your expansive knowledge with us!
☆FAST & BULBOUS thanks to Dave Perron and Round Bale Recordings for the cassette release and immeasurable help and guidance!
☆SPECIAL thanks to every single bobolink whose ethereal, mellifluous melodies have graced my lowly, unworthy ear holes!
☆ETERNAL gratitude to David Lynch for beautiful blue skies and golden sunshine all along the way!

Also, shouts out to:
☆David & Sally Anne Benson, your joyous spirit, kindness, and boundless curiosity are inspiring and invigorating!
☆Davis & Mikalah Harder, I didn’t believe in fate until we met that day in The Sinkhole!
☆Alice & Don Browne, your neighborliness and songs about cookies, macaroni, and defamed cyclists are truly what this world needs!
☆Christie & Bella, there’s nothing that made me happier than chatting with you on the sidewalk and in the backyard! If only everyone in the world were as honest as you, Christie.
☆MAPP 2021 field crew (Christina, Emma, Ian, Leslie, Lily, Liz, Rachel, Sophie), I miss Mondays; you people really know how to cook. And how to estimate ground cover. And how to geek out about plants. And sing rounds. Catch you somewhere between Lake Shetek and forever!
☆2020 EBWG Naturalists (Annelise, Kyla, Laura, Maia, Marielle, Mark), your botanical knowledge is staggering and your friendship during weird times has been deeply, deeply appreciated!
☆Sarah Pinsker, your ultra-rad novel Song for a New Day was, well, ultra-rad. Thanks for giving an ear to my humble realization of “Blood & Diamonds!”
☆The Hussalonia Founder, it’s rare to find a friend who can provide genuine constructive criticism and musical mentorship. Thanks for both!
☆Caroline Alkire, your description of the swirling, eternal ouroboros of pigeons over the Lake Street K-Mart parking lot was, and continues to be, spot-on.
☆Sydney Reuter, maybe this year we’ll actually sharpen our skates and wax our skis..? Your sticker placement is laser-accurate!
☆Bill Lindeke, can we collaborate on a “notable sinkholes of Minneapolis” pamphlet?
☆Peter, thanks for making this whole thing happen!
☆Mom & Dad, I sure lucked out to be born to you two!
♡Chester. I love you deeply and miss you dearly.

Peter wishes to thank:

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about

Prairie Clamor Minneapolis, Minnesota

Prairie Clamor an ever-evolving pop music project helmed by Will Bjorndal, living on Dakota land in Minneapolis, MN.

Will is happy to inform you that he has visited both the highest AND second-highest natural points in Iowa.

email:
will [at] prairieclam.org
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I also make music for kids! Whoa! willsingssongs.bandcamp.com
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Trash/Noise/Etc: radarange.bandcamp.com
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